Tag Archives: Barbarians

The Fear

Right now my anxiety is making a noise. it’s a high-pitched whining sound that could, if properly channelled, slice through steel. I could, if I were so inclined, stretch out this metaphor beyond the limits of its tensile strength. I could draw comparisons between the aforementioned steel and reason. I could even go on to the attribute the alloying elements contained within to a myriad of different emotional qualities and or foibles. But the anxiety has robbed me of much of my desire to sit down and have a real and proper think about things and/or stuff. I think it’s safe to say that I am now deep within the grip of “The Fear.

But what, you might be wondering, is the source of The Fear. That is a question I for once have an answer to, though I’m not sure if knowing the source makes this any better than the occasional nameless feeling of dread that cloaks my addled brain. The source is simple. At approximately the same time as this post hits the seething cauldron of words that is the internet, my latest writing project starts. Today is the day that The Life and Times of a Working Barbarian goes live.

I have made a grave tactical error...

I have made a grave tactical error…

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The End of the Beginning

I’ve always been told that a story must have three parts: A beginning, a middle and an end. I left my last post on a bit of a cliff-hanger. With Máel Coluim discovering that the man he’d rescued was quite some way from home. I left the beginning unfinished, and if you leave a part of the story unfinished then you’re just left with some words that don’t really make a whole lot of sense. Of course you can sub-divide each of these parts along the same lines. Last week I gave you the beginning of the beginning and a bit of the middle of the beginning. Today I give you the rest of the middle of the beginning and the end of the beginning. 

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All Things Have a Beginning

Not so long ago I waffled on about my family history and how I was going to concoct a fictional legend about one man and his really big sword (not a euphemism). It’s been slow work. As with nearly everything I write it oft feels like I’m writing it by smashing my head against a brick wall in the misguided hope that the resulting splatters of blood and flecks of cerebral goo will form some interesting sounding words, or at least something that wouldn’t look too out of place in the Tate modern.

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